{"id":9,"date":"2025-02-10T15:23:20","date_gmt":"2025-02-10T14:23:20","guid":{"rendered":"http:\/\/bsiizmw.cluster100.hosting.ovh.net\/?page_id=9"},"modified":"2026-01-12T17:19:56","modified_gmt":"2026-01-12T16:19:56","slug":"a-propos","status":"publish","type":"page","link":"https:\/\/emmaricochastel.com\/index.php\/a-propos\/","title":{"rendered":"\u00c0 propos"},"content":{"rendered":"\n
\n

DEMARCHE<\/strong><\/p>\n\n\n\n

J’ai une pratique de la peinture, du dessin et de la photographie sur diff\u00e9rentes surfaces qui me sert d’interrogation sur le fonctionnement de la m\u00e9moire et de ses m\u00e9canismes sensoriels, cognitifs et psycho-affectifs. Mon int\u00e9r\u00eat se situe dans les syst\u00e8mes qui permettent d’organiser, de hi\u00e9rarchiser un sch\u00e9ma perceptif (les sens) et inconscient (les topiques). Pour cela, je proc\u00e8de par couches, par juxtaposition, par effacement, absorption et transparence. J’accorde une attention particuli\u00e8re \u00e0 la couleur, \u00e0 ses vibrations et aux dialogues qu\u2019elle \u00e9tablit au contact d\u2019autres teintes.
J’aborde des notions telles que l\u2019oubli, le d\u00e9ni, la complaisance et la r\u00e9\u00e9criture des histoires qu\u2019elles soient personnelles ou collectives. Le rapport d\u2019\u00e9chelle me questionne \u00e9galement sur la place qu\u2019on lui accorde dans nos espaces communs, comment on se l\u2019approprie et le restitue pour justifier un r\u00e9cit.
Ces th\u00e9matiques se refl\u00e8tent dans ma pratique picturale, o\u00f9 les effets de styles deviennent autant de m\u00e9taphores des m\u00e9canismes de m\u00e9moire entre ce qui reste et ce qui n’est plus.
Ma peinture a des accents oniriques par ses topiques qui se confondent. On se souvient des histoires qui nous arrangent mais dans le r\u00eave, c\u2019est souvent ce qui d\u00e9range qui revendique notre lien au r\u00e9el.<\/p>\n\n\n\n

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\n

BIOGRAPHIE<\/strong><\/p>\n\n\n\n

De l’intime et ce qui ne se dit pas, j’en ai fait des m\u00e9tiers, \u00eatre artiste peintre et art-th\u00e9rapeute. Les deux consistent \u00e0 faire exister ce qui se tait.

R\u00e9sidente de l’atelier Seruse \u00e0 Marseille depuis 2015, j’\u00e9quilibre ma pratique picturale en faisant un pas de c\u00f4t\u00e9 \u00e0 chaque s\u00e9ance d’Art-th\u00e9rapie o\u00f9 je confie \u00e0 l’Art le soin de l’\u00catre.

Le processus artistique, je l’exp\u00e9rimente au regard de mes \u0153uvres pour ressentir et exprimer ce qui chez moi est un ordre sensoriel concomitant \u00e0 une injonction \u00e0 faire existence. Comme une pulsion du devenir et du tangible.

Repr\u00e9sent\u00e9e par la galerie Le Container et pr\u00e9c\u00e9demment par la galerie Ars Longa, je participe ponctuellement \u00e0 des expositions collectives. Pour des projets sp\u00e9cifiques, je r\u00e9alise des fresques, ce qui me permet de me d\u00e9ployer corporellement et d’avoir une approche synth\u00e9tique adapt\u00e9e \u00e0 la demande et \u00e0 mon style.

En 2019, je cr\u00e9e un rendez-vous photographique du nom de Nature Humaine car l’image est une r\u00e9sistance \u00e0 l’oubli autant qu’un hommage \u00e0 l’instant.<\/p>\n\n\n\n

Dossier Artistique Emma RicoChastel<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

DEMARCHE J’ai une pratique de la peinture, du dessin et de la photographie sur diff\u00e9rentes surfaces qui me sert d’interrogation sur le fonctionnement de la m\u00e9moire et de ses m\u00e9canismes sensoriels, cognitifs et psycho-affectifs. Mon int\u00e9r\u00eat se situe dans les syst\u00e8mes qui permettent d’organiser, de hi\u00e9rarchiser un sch\u00e9ma perceptif (les sens) et inconscient (les topiques). 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